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DTSTART;TZID=America/Los_Angeles:20260927T130000
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SUMMARY:Santa Cruz Pickwick Club presents: Christie Mysteries
DESCRIPTION:Over the coming year\, Dickens Universe readers and Pickwick Club members will meet for discussions focused on these novels and their lasting influence on the mystery genre. This year’s reading series brings together four landmark works of crime fiction: The Mystery of Edwin Drood by Charles Dickens (Penguin Classics\, 2002)\, The Murder of Roger Ackroyd by Agatha Christie (William Morrow\, 2021)\, The Murder at the Vicarage by Agatha Christie (William Morrow\, 2025)\, and The Pale Horse by Agatha Christie (William Morrow\, 2011). Join Dickens enthusiasts and Pickwick Club members on Zoom for a series of discussions about these beloved books. \nRegister via Zoom \nReading Schedule:  \n\nSept 27: The Murder of Roger Ackroyd\nOct 25: The Pale Horse\nNov 22: The Murder at the Vicarage\nDec 27: The Mystery of Edwin Drood\nJan 24: The Mystery of Edwin Drood\nFeb 28: The Mystery of Edwin Drood\nMar 28: The Mystery of Edwin Drood\nApr 25: TBD\nMay 23: TBD\nJun 27: TBD\n\nRecommended Edition: We recommend the Penguin Classics edition of the novels for its appendices and notes\, but other versions are fine. First-time readers should avoid the Introduction if they don’t want spoilers. Download the novels to read at Gutenburg.org or listen at LibriVox.org. \nThe Santa Cruz Pickwick (Book) Club\, a branch of the Dickens Fellowship\, is a community of local bookworms\, students\, and teachers who meet monthly to discuss a nineteenth-century novel. The Santa Cruz Public Libraries provide support for the reading group.
URL:https://live-events-ucsc.pantheonsite.io/event/santa-cruz-pickwick-club-presents-christie-mysteries/2026-09-27/
LOCATION:CA
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20261008T120000
DTEND;TZID=America/Los_Angeles:20261008T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://live-events-ucsc.pantheonsite.io/event/carlos-motta-when-time-stands-still/2026-10-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261008T120000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://live-events-ucsc.pantheonsite.io/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261008T173000
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SUMMARY:Bruce H. Jennings in conversation with Mayor Fred Keeley
DESCRIPTION:Join us and Santa Cruz Mayor Fred Keeley for a conversation with Author Bruce H. Jennings about his new book\, Revolutionary Science: The Struggle for Agroecology in the Americas. \nAbout the book\nAs the climate crisis becomes more urgent and issues of social inequality intensify\, Revolutionary Science: The Struggle for Agroecology in the Americas shows how agroecology offers hope rooted in a deeper understanding of ecology\, society\, and collective struggle. In the 1940s\, a US-backed campaign spread industrial agriculture across the Americas\, dismantling traditional farming systems that had sustained campesino communities for generations. The result was ecological damage\, cultural loss\, and deepened inequality. Amid this devastation\, a group of Latin American scientists chose another path. Working alongside farmers\, Indigenous communities\, and social movements\, they helped shape a new vision — agroecology: a science grounded in ecology\, cultural respect\, and political commitment to those most marginalized. Revolutionary Science tells their story and asks a vital question: Can agroecology thrive as both a science and a movement strong enough to advance livelihood for millions of campesinos and many others across the Americas?\n\nRSVP
URL:https://live-events-ucsc.pantheonsite.io/event/celebrating-agroecology-a-book-talk-with-author-bruce-h-jennings/
LOCATION:Hay Barn\, 94 Ranch View Road\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20261008T180000
DTEND;TZID=America/Los_Angeles:20261008T203000
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SUMMARY:AA/PI/SWANA Community Welcome: Hatch Into Your Next Chapter!
DESCRIPTION:Hatch into your next chapter on Thursday\, October 8th from 6-8:30pm at the College 9 and John R. Lewis College Multipurpose Room (MPR) ⋆.˚⟡ ࣪ ˖ \nConnect with students\, staff\, and faculty from various Asian American\, Pacific Islander\, and/or Southwest Asian & North African (AA/PI/SWANA) student organizations and campus departments over food\, activities\, tabling\, and more! \nHosted by the Asian American/Pacific Islander Resource Center (AA/PIRC) at UCSC\, this event is FREE and open to all UCSC affiliates (students\, staff\, and faculty). \nAA/PIRC is one of the six resource centers at UCSC\, offering events and other opportunities to connect with the AA/PI/SWANA diaspora. \nFor questions or accommodation requests\, please email aapirc@ucsc.edu. \nRSVP at: bit.ly/cw26-rsvp \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://live-events-ucsc.pantheonsite.io/event/aa-pi-swana-community-welcome-hatch-into-your-next-chapter/
LOCATION:Colleges Nine and John R. Lewis College Multi-purpose Room\, 615 College Nine Road\, Santa Cruz\, CA\, 95064
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DTSTART;TZID=America/Los_Angeles:20261008T180000
DTEND;TZID=America/Los_Angeles:20261008T220000
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SUMMARY:Afrobeats Nite at the IAS
DESCRIPTION:Join us for a night of dancing\, joy\, and community organized by Afrobeats Nite Santa Cruz featuring DJ Mai Girl and DJ Monk Earl. In addition to music\, there will be vendors\, food trucks\, and late night showings of the exhibitions Victor “Marka27” Quiñonez: Ni de Aquí\, Ni de Allá and Carlos Motta: When Time Stands Still. \nThis event is FREE and open to the public. \nAfrobeats Nite at the IAS is a collaboration with Visualizing Abolition\, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. \n\n\nJase “Monk” Earl is a Santa Cruz–based DJ\, curator\, cultural producer\, educator\, and writer whose understanding of community is rooted in Hip Hop culture and shaped by his upbringing in the immigrant-rich neighborhood of Crown Heights\, Brooklyn. As the founder of Afroscope Promotions and founder\, curator\, and resident DJ of Afrobeats Nite Santa Cruz\, he creates public spaces where African and diasporic music become catalysts for connection\, cultural exchange\, and collective celebration. \n\n\n\n\nDJ Mai Girl plays festivals\, clubs\, shows\, and private events all over the West Coast and beyond.  Her unique blend of genres and hand-picked selections– whether it be hip hop\, soul\, house\, jazzy vibes\, old school jams\, Afro\, Caribbean or Latin rhythms– keep people moving all night. She consistently plays one Stevie or Prince song every set to remind herself of why she started DJing in the first place.
URL:https://live-events-ucsc.pantheonsite.io/event/afrobeats-nite-at-the-ias/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Social Gathering
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