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SUMMARY:Holmes\, J. (CM) - Towards a Multi-dimensional Model of User Load
DESCRIPTION:Games user researchers (GURs) use various methods to understand when a game is overloading its players. In games research where data-driven multimodal approaches are necessary to drive insights\, the currently available tools to measure user load are coarse\, one-dimensional\, and often aggregated. The more dominant instruments\, such as the Cognitive Load Scale (CLS) and the NASA-TLX\, rely on player reflections of mental effort\, primarily at the end of the playtest session\, to distinguish different cognitive load types. This makes it difficult to: (1) understand where specifically players are struggling and experiencing high load\, especially at the non-reflective subconscious level\, (2) identify where that load is primarily coming from (e.g.\, perceptual clutter or difficulty/skill imbalance)\, and (3) examine user overload at scale\, a crucial component of designing a game with large player bases. Telemetry is the behavioral record of what players are doing from moment to moment\, in varying degrees of granularity. Telemetry has served as a powerful tool to understand player behaviors at scale\, yet is rarely used to measure user load\, especially through a validated multidimensional framework. This dissertation proposes that behavioral signatures of specific load constructs are observable in game telemetry\, and a model built and validated on such telemetry can measure the distinct components of each load at the moment-to-moment granularity of individual play\, as opposed to aggregated magnitude. This dissertation consists of three parts: (1) Validation through construct manipulation and reference measurement. Specifically\, manipulating theoretically grounded load constructs and confirming that the proposed telemetry features respond as predicted\, relative to the established measurements collected alongside them (e.g.\, NASA-TLX\, pupillometry\, secondary-task). (2) Individual-level validation through rigorous longitudinal examination of the same players repeatedly across many sessions such that load constructs can be tracked at the within-person granularity. This is necessary to establish that the measure works for an individual player and not just for population averages. (3) Test the user load model by applying it to naturalistic game telemetry. Additionally\, this phase will entail the development of an insight-oriented measurement tool for GURs based on our validated user load model. The overarching contribution is a behavioral\, telemetry-based method for measuring multidimensional user load in games\, validated to measure load within each person (individual-level). This gives GURs a scalable tool and replicable process for detecting user load in commercial game telemetry. \nEvent Host: Jonattan Holmes\, Ph.D. Student\, Computational Media \nAdvisor: Magy Seif El-Nasr \nZoom: https://ucsc.zoom.us/j/98245962806?pwd=HnkwPMFSamQJFrE5aihbZbKDBbt4s9.1 \nPasscode: 347521
URL:https://live-events-ucsc.pantheonsite.io/event/holmes-j-cm-towards-a-multi-dimensional-model-of-user-load/
LOCATION:
CATEGORIES:Ph.D. Presentations
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DTSTART;TZID=America/Los_Angeles:20260722T120000
DTEND;TZID=America/Los_Angeles:20260722T130000
DTSTAMP:20251001T224502Z
CREATED:20250923T070000Z
LAST-MODIFIED:20251001T224502Z
UID:10000288-1784721600-1784725200@live-events-ucsc.pantheonsite.io
SUMMARY:Engineering Teaching Community (Faculty)
DESCRIPTION:During the chaos of a quarter\, is it hard to find time to reflect and improve as an instructor? Would you like to be a part of an inclusive\, supportive group of engineering instructors who do this in community? ETC is for sharing teaching experiences\, classroom ideas\, research on learning\, and methods that support instructors and students. All are welcome\, and lunch is provided. Please reach out to Jenny Quynn with questions.
URL:https://live-events-ucsc.pantheonsite.io/event/engineering-teaching-community-faculty/2026-07-22/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences,Training
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260722T120000
DTEND;TZID=America/Los_Angeles:20260722T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260722T120000
DTEND;TZID=America/Los_Angeles:20260722T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T120000
DTEND;TZID=America/Los_Angeles:20260723T133000
DTSTAMP:20260629T212114Z
CREATED:20260629T211754Z
LAST-MODIFIED:20260629T212114Z
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SUMMARY:Interview Preparation Workshop
DESCRIPTION:Join Career Success for an interactive workshop on Interview Best Practices\, followed by Mock Interview Practice! \nNote: You must Register via Zoom for this event. Once registered\, make sure to add the event to your calendar. \n\nWe will provide captions for the presentation. If you have disability-related needs\, please contact the Career Success office at bridgekk@ucsc.edu as soon as possible. \n  \n  \nYOU BELONG HERE\nPrograms and services are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. To learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://live-events-ucsc.pantheonsite.io/event/interview-preparation-workshop-2/
LOCATION:https://ucsc.zoom.us/meeting/register/DtJkfjUcTkWyPdiymaZbaA
CATEGORIES:Training,Workshop
ATTACH;FMTTYPE=image/png:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2025/10/Career-Success-Banner-with-Photos-e1782767663458.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T120000
DTEND;TZID=America/Los_Angeles:20260723T140000
DTSTAMP:20260708T162027Z
CREATED:20260708T162027Z
LAST-MODIFIED:20260708T162027Z
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SUMMARY:Li\, J. (CM) - Detecting Failure to Adapt: Reading Self-Regulated Learning Breakdowns from Game Telemetry through Plan Recognition
DESCRIPTION:Three learners who fail the same level of an educational game the same number of times can be failing in three different ways\, and the difference determines what each should do next. Yet the measures a game’s logs are usually reduced to (completion time\, error counts\, mastery estimates) render the three identical. This proposal takes one breakdown as its object: failure-to-adapt\, the case where the game has repeatedly surfaced evidence that a learner’s current approach is failing and the learner’s approach shows no responsive change. The construct is grounded in Winne and Hadwin’s monitor-and-control model of self-regulated learning and defined at the level of the learner’s plan. To detect it\, a plan-recognition engine maintains a continuously updated probability estimate of which strategy the learner is executing across the whole trace; an episode is flagged when that estimate shows no evidence-responsive revision. Because behavior alone cannot settle what broke down\, flagged episodes are validated against learners’ own verbal reports\, coded blind\, and decomposed into monitoring failure\, control failure\, or control the trace cannot show. Three studies carry the work: detection and diagnosis on real telemetry from an educational game\, including a comparison against the analytics the field already runs; a formative study of what a facilitator (an instructor or teaching assistant running a class play session) must see to judge correctly which learners need attention; and a documented authoring case carrying the detection to a second game. The contribution is knowledge for game-based-learning researchers: a theory-grounded construct\, a validated way to detect it from play\, and the authoring knowledge to embed that detection in new games. \nEvent Host: Jiahong Li\, Ph.D. Student\, Computational Media \nAdvisor: Magy Seif El-Nasr \nZoom: https://ucsc.zoom.us/j/93238603235?pwd=zENRsu82HRj4JYKcMEn9MZibU8kC7F.1 \nPasscode: 835328
URL:https://live-events-ucsc.pantheonsite.io/event/li-j-cm-detecting-failure-to-adapt-reading-self-regulated-learning-breakdowns-from-game-telemetry-through-plan-recognition/
LOCATION:
CATEGORIES:Ph.D. Presentations
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/ph.d.-presentation-graphic-option-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T120000
DTEND;TZID=America/Los_Angeles:20260723T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012011-1784808000-1784826000@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T120000
DTEND;TZID=America/Los_Angeles:20260723T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260723T120000
DTEND;TZID=America/Los_Angeles:20260723T170000
DTSTAMP:20260708T203952Z
CREATED:20260708T203952Z
LAST-MODIFIED:20260708T203952Z
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SUMMARY:Rules Are Not Neutral: Play As Sense-Making\, Acts Of Resistance\, And Imagining Otherwise
DESCRIPTION:This exhibition brings together a range of analog games – including board\, card\, role-playing\, and other participatory works – that engage social and political realities in different ways. The works span widely circulated commercial games to independently produced projects\, one-of-a-kind artworks by artists\, faculty\, alumni\, and students\, and materials drawn from UC Santa Cruz Special Collections and Archives. \nIn part\, the exhibition challenges the persistent assumption that games and play are detached from social and political life. On the contrary\, game designers and artists across diverse perspectives and positions have long used play to engage questions of social systems\, lived experience\, and how power operates. This exhibition does not attempt to represent that full spectrum. Instead\, it brings together a particular set of works that foreground how games can make systems visible\, intervene in them\, and imagine alternatives. \nAll games embody values\, whether intentional or not.  \n– Mary Flanagan\, game designer and scholar \nAcross all of these works\, games are not only forms of entertainment\, though they may be that as well. They are encountered in multiple ways: as objects\, as systems\, as artworks\, and as experiences that unfold unpredictably through interaction. In each case\, rules and constraints shape what participants can do. In these different forms\, the works stage systems – such as housing and land ownership\, capitalism\, race and identity\, civil rights and protest\, fascism\, and colonialism – in ways that are simplified and easy to see\, opening space to recognize similar structures beyond the game. In this sense\, the works suggest that rules are not neutral – they organize experience\, distribute power\, and produce meaning. \nGames are the art of agency. \n– C. Thi Nguyen\, philosopher \nThe exhibition is intentionally dense. This abundance reflects the breadth of ways games operate across contexts\, from activism and education to art and everyday life. While it celebrates creativity and difference\, it also asks how these works engage critically with the structures that shape our lives.  \nSome works use rules to model systems\, helping players understand how those systems operate. Others use play to rehearse action\, asking players to practice navigating or challenging those systems. Still others turn toward speculation\, inviting players to imagine alternative futures\, worlds\, and the systems that might shape them.  \nThe imagination is an instrument of change. \n– Ursula K. Le Guin\, author \nThe focus on analog games reflects how they foreground materiality and shared physical presence. Played face-to-face\, handled\, read aloud\, and experienced together\, these works show how rules operate not in abstraction\, but through lived\, embodied experience. \nUltimately\, the exhibition asks us to consider not only how games represent the world\, but how they shape our engagement with it – and how through play\, the social and political systems they model might be understood\, challenged\, and reimagined. \nGames are not apolitical. \n– Kishonna L. Gray\, media scholar \n  \nGallery Reception\nMay 15 from 1 to 4pm at the Eloise Pickard Smith Gallery \n  \nArt Friday\nHands-on art activities drawing from the current exhibition.\nALL ARE WELCOME regardless of skill level. Art supplies and free snacks are provided!
URL:https://live-events-ucsc.pantheonsite.io/event/rules-are-not-neutral-play-as-sense-making-acts-of-resistance-and-imagining-otherwise-2/2026-07-23/
LOCATION:Eloise Pickard Smith Gallery\, 11 Cowell Service Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
ORGANIZER;CN="Eloise Pickard Smith Gallery":MAILTO:epsgal@ucsc.edu
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260724T120000
DTEND;TZID=America/Los_Angeles:20260724T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T090000
DTEND;TZID=America/Los_Angeles:20260725T120000
DTSTAMP:20260706T220927Z
CREATED:20260624T205030Z
LAST-MODIFIED:20260706T220927Z
UID:10014933-1784970000-1784980800@live-events-ucsc.pantheonsite.io
SUMMARY:UCSC Farm U-Pick
DESCRIPTION:Come enjoy picking your own organic strawberries and/or flowers at the campus farm! \nWhen: U-picks will take place on Saturdays from 9am to 12pm\, July 11–August 22\, or while supplies last. PLEASE NOTE that u-pick will not occur on Saturday\, July 4. \nWhere: Free parking will be available in the Hay Barn lot or lot 115/116 during u-pick hours. Please do not park in the dirt lot at the farm’s back gate. Please walk to the check-in table near the strawberries/flowers at the farm to pre-pay and collect your u-pick container(s). We will have directional signage displayed. There is one ADA parking spot on the farm. The UCSC Farm has uneven\, hilly terrain. If you require accommodations  to fully participate\, please email agroecology@ucsc.edu and we will do our best to accommodate. \nCost: UCSC students with valid ID get 25% off produce. \n\nStrawberry pints – $4 each\nStrawberry flats (12 pints) – $44\nFlowers – $25 for 32oz deli container\nFlower buckets – $75\n\nPayment: Credit card payments only (you will need a smartphone to scan a QR code and enter your card info manually). \nDogs are not allowed on the UC Santa Cruz campus (service animals are OK).
URL:https://live-events-ucsc.pantheonsite.io/event/ucsc-farm-u-pick/2026-07-25/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012013-1784980800-1784998800@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011912-1784980800-1784998800@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260726T010000
DTEND;TZID=America/Los_Angeles:20260727T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012229-1785027600-1785113999@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-26/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260726T010000
DTEND;TZID=America/Los_Angeles:20260727T005959
DTSTAMP:20260526T221620Z
CREATED:20260521T172910Z
LAST-MODIFIED:20260526T221620Z
UID:10014857-1785027600-1785113999@live-events-ucsc.pantheonsite.io
SUMMARY:Cabrillo Festival 2026 - Opening Night
DESCRIPTION:“We the Dreamers is both an invitation and a responsibility”; says Music Director Cristian Măcelaru. “At this historic moment\, we are asking how music can help us imagine a more expansive ‘we’—one that listens deeply\, embraces complexity\, and dares to hope. These works remind us that dreaming is essential to shaping a more just and connected future.” \nThe Cabrillo Festival of Contemporary Music presents its 64th season\, We the Dreamers\, running July 26 through August 9\, 2026. Framed by the 250th anniversary of the signing of the Declaration of Independence\, this transformative season asks one of the most resonant civic questions of our time: Who is the “we” of America—and who are “we” still becoming? The answers unfold across four world premiere Festival Commissions\, eight West Coast premieres\, and two U.S. premieres\, brought to life by a dynamic global roster of over 20 composers and an extraordinary array of guest artists. \nHighlights include the second-ever performance and West Coast premiere of Philip Glass’s Symphony No. 15 Lincoln\, which draws on Lincoln’s urgent reverence for the Constitution and his prescient warnings against internal division\, alongside an appearance by Former U.S. Poet Laureate Rita Dove and new works by Clarice Assad\, Vivian Fung\, Sarah Hennies\, and Pedro Emanuel Pereira—together offering a compelling portrait of our contemporary moment through the lens of history\, civic reckoning\, and global perspective. \nFor more information: Cabrillo Festival 2026
URL:https://live-events-ucsc.pantheonsite.io/event/cabrillo-festival-2026-opening-night/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260726T120000
DTEND;TZID=America/Los_Angeles:20260726T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012014-1785067200-1785085200@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-26/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260726T120000
DTEND;TZID=America/Los_Angeles:20260726T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011913-1785067200-1785085200@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-26/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/017–CLS_Pre-ExistingCondition_2019_02-e1774380409661-1024x606.jpg.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260727T000000
DTEND;TZID=America/Los_Angeles:20260727T235959
DTSTAMP:20251115T003910Z
CREATED:20251115T003910Z
LAST-MODIFIED:20251115T003910Z
UID:10005142-1785110400-1785196799@live-events-ucsc.pantheonsite.io
SUMMARY:Start of Summer Session 2
DESCRIPTION:Summer Session 2 courses start today! Make sure you’re set with Canvas access\, dates and deadlines\, and any first-day instructions from your instructors. Find answers to common questions on our website or email summer@ucsc.edu. You can still add classes until the deadline!
URL:https://live-events-ucsc.pantheonsite.io/event/start-of-summer-session-2/
LOCATION:CA
ATTACH;FMTTYPE=image/png:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2025/11/Events-Calendar-Enrollment-Open-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260727T010000
DTEND;TZID=America/Los_Angeles:20260728T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012601-1785114000-1785200399@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-27/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260728T010000
DTEND;TZID=America/Los_Angeles:20260729T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012602-1785200400-1785286799@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-28/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260729T010000
DTEND;TZID=America/Los_Angeles:20260730T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012603-1785286800-1785373199@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-29/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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DTSTART;TZID=America/Los_Angeles:20260729T120000
DTEND;TZID=America/Los_Angeles:20260729T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012015-1785326400-1785344400@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260729T120000
DTEND;TZID=America/Los_Angeles:20260729T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011914-1785326400-1785344400@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260730T010000
DTEND;TZID=America/Los_Angeles:20260731T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012604-1785373200-1785459599@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-30/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260730T120000
DTEND;TZID=America/Los_Angeles:20260730T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012016-1785412800-1785430800@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260730T120000
DTEND;TZID=America/Los_Angeles:20260730T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011915-1785412800-1785430800@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-07-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260730T120000
DTEND;TZID=America/Los_Angeles:20260730T170000
DTSTAMP:20260708T203952Z
CREATED:20260708T203952Z
LAST-MODIFIED:20260708T203952Z
UID:10015048-1785412800-1785430800@live-events-ucsc.pantheonsite.io
SUMMARY:Rules Are Not Neutral: Play As Sense-Making\, Acts Of Resistance\, And Imagining Otherwise
DESCRIPTION:This exhibition brings together a range of analog games – including board\, card\, role-playing\, and other participatory works – that engage social and political realities in different ways. The works span widely circulated commercial games to independently produced projects\, one-of-a-kind artworks by artists\, faculty\, alumni\, and students\, and materials drawn from UC Santa Cruz Special Collections and Archives. \nIn part\, the exhibition challenges the persistent assumption that games and play are detached from social and political life. On the contrary\, game designers and artists across diverse perspectives and positions have long used play to engage questions of social systems\, lived experience\, and how power operates. This exhibition does not attempt to represent that full spectrum. Instead\, it brings together a particular set of works that foreground how games can make systems visible\, intervene in them\, and imagine alternatives. \nAll games embody values\, whether intentional or not.  \n– Mary Flanagan\, game designer and scholar \nAcross all of these works\, games are not only forms of entertainment\, though they may be that as well. They are encountered in multiple ways: as objects\, as systems\, as artworks\, and as experiences that unfold unpredictably through interaction. In each case\, rules and constraints shape what participants can do. In these different forms\, the works stage systems – such as housing and land ownership\, capitalism\, race and identity\, civil rights and protest\, fascism\, and colonialism – in ways that are simplified and easy to see\, opening space to recognize similar structures beyond the game. In this sense\, the works suggest that rules are not neutral – they organize experience\, distribute power\, and produce meaning. \nGames are the art of agency. \n– C. Thi Nguyen\, philosopher \nThe exhibition is intentionally dense. This abundance reflects the breadth of ways games operate across contexts\, from activism and education to art and everyday life. While it celebrates creativity and difference\, it also asks how these works engage critically with the structures that shape our lives.  \nSome works use rules to model systems\, helping players understand how those systems operate. Others use play to rehearse action\, asking players to practice navigating or challenging those systems. Still others turn toward speculation\, inviting players to imagine alternative futures\, worlds\, and the systems that might shape them.  \nThe imagination is an instrument of change. \n– Ursula K. Le Guin\, author \nThe focus on analog games reflects how they foreground materiality and shared physical presence. Played face-to-face\, handled\, read aloud\, and experienced together\, these works show how rules operate not in abstraction\, but through lived\, embodied experience. \nUltimately\, the exhibition asks us to consider not only how games represent the world\, but how they shape our engagement with it – and how through play\, the social and political systems they model might be understood\, challenged\, and reimagined. \nGames are not apolitical. \n– Kishonna L. Gray\, media scholar \n  \nGallery Reception\nMay 15 from 1 to 4pm at the Eloise Pickard Smith Gallery \n  \nArt Friday\nHands-on art activities drawing from the current exhibition.\nALL ARE WELCOME regardless of skill level. Art supplies and free snacks are provided!
URL:https://live-events-ucsc.pantheonsite.io/event/rules-are-not-neutral-play-as-sense-making-acts-of-resistance-and-imagining-otherwise-2/2026-07-30/
LOCATION:Eloise Pickard Smith Gallery\, 11 Cowell Service Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
ORGANIZER;CN="Eloise Pickard Smith Gallery":MAILTO:epsgal@ucsc.edu
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T010000
DTEND;TZID=America/Los_Angeles:20260801T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012605-1785459600-1785545999@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-07-31/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
ATTACH;FMTTYPE=image/png:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/dickens-16-9.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260731T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10012017-1785499200-1785517200@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-07-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260801T010000
DTEND;TZID=America/Los_Angeles:20260802T005959
DTSTAMP:20260605T221746Z
CREATED:20260416T165515Z
LAST-MODIFIED:20260605T221746Z
UID:10012606-1785546000-1785632399@live-events-ucsc.pantheonsite.io
SUMMARY:The Dickens Universe featuring 'Bleak House'
DESCRIPTION:The Dickens Universe is a unique cultural event that brings together scholars\, teachers\, students\, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels\, usually (but not always) one by Charles Dickens. In 2026\, the Dickens Universe will feature Bleak House by Charles Dickens. \nDickens’s ninth novel\, published between 1852-1853\, shines a light on social injustice and the devastating effects of a corrupt legal system\, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices\, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb\, from mansions to slums\, we discover unexpected connections among classes\, plots\, and characters. \nNow in its 46th year of operation\, the Dickens Universe combines features of a scholarly conference\, a festival\, a book club\, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars\, graduate students\, undergraduates\, retirees\, young professionals\, high school teachers\, and anyone who loves reading and enjoys long Victorian novels. \nHere are some things that make the Universe such a special experience. \n\nThe college lifestyle: participants live on campus\, eat together in the student dining hall\, and have time to meet and come to know each other in different ways.\nEveryone is reading the same book. We all have this one important thing in common.\nThe activities include formal lectures\, small discussion groups\, films\, daily Victorian teas\, performances\, and Victorian dancing.\n\nThe Universe offers a week of total immersion in the world of Victorian fiction with friendly\, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone knows and loves\, or branching out into a Victorian novel by another author who might be less familiar\, during the Universe we build a community out of our passion for reading\, talking with one another\, and bringing Victorian culture to life. \n\nView the complete schedule\nRegistration options\nPlenary Lecturers and Guest Scholars
URL:https://live-events-ucsc.pantheonsite.io/event/the-dickens-universe-featuring-bleak-house/2026-08-01/
LOCATION:Humanities and Social Sciences Facility\, 2 Hagar Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Film Screening,Lectures & Presentations,Meetings & Conferences,Seminars,Undergraduate
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