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DTSTART;TZID=America/Los_Angeles:20260515T173000
DTEND;TZID=America/Los_Angeles:20260515T190000
DTSTAMP:20260403T222442Z
CREATED:20260402T205151Z
LAST-MODIFIED:20260403T222442Z
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SUMMARY:Rasanblé/Rasanblaj: Call & Response
DESCRIPTION:Join us for an evening of call and response between Portsha Jefferson\, dancer and artistic director of Rara Tou Limen\, and artist-scholar Gina Athena Ulysse. Jefferson will offer a Haitian dance response to Ulysse’s art exhibition Redwoods Rasanblaj: Origins & Disentanglements and screen her short film IMAMOU: Hotô to Shore… Agbe | Agwe. Ulysse will read from her memoir\, Loving Haiti\, Loving Vodou. A dialogue between Jefferson and Ulysse will follow.  
URL:https://live-events-ucsc.pantheonsite.io/event/rasanble-rasanblaj-call-response/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Performances
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DTSTART;TZID=America/Los_Angeles:20260515T120000
DTEND;TZID=America/Los_Angeles:20260515T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260515T090000
DTEND;TZID=America/Los_Angeles:20260515T180000
DTSTAMP:20260429T230511Z
CREATED:20260415T174635Z
LAST-MODIFIED:20260429T230511Z
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SUMMARY:Flow and Friction Symposium: Media Practices Across Global Asias
DESCRIPTION:“Media Practices Across Global Asias\,” a  graduate-student research cluster working across the History of Art and Visual Culture and Film and Digital Media departments\, hosts their first symposium titled “Flow and Friction.” The day-long symposium is comprised of four panels with presenters from UC Santa Cruz and universities further afield in the U.S. and abroad. Three of the panels are focused on papers\, while the fourth is focused on practice as research\, with a screening of three short video works followed by Q&A. Professor Lisa Nakamura will visit from the University of Michigan\, where she is the Gwendolyn Calvert Baker Collegiate Professor in the Department of American Cultures\, as keynote speaker for the event. Each of the symposium presentations takes up the notion of flow and friction in response to the research cluster’s open call inviting inquiries in media studies and audiovisual culture in the context of Global Asias. Global Asias offer an expansive model to consider the imaginary or symbolic Asia as a series of diasporic interpolations constituted by Asian\, non-Asian\, and indigenous peoples and cultures. It demonstrates that worlds are not singular\, much like media and its practices\, and are contingent upon the labor and bodies that engage and disengage with them.\n—\nADMISSION\n– Attend in person at the Cowell Conference Room at UC Santa Cruz.\n– FREE and open to Arts Division staff & faculty\, Arts Division students\, and their invited guests.\n– Registration recommended here.\n—\nPARKING\n– Closest lots to the event are Lots 107\, 108\, 109 and 110.\n– All lots require an A permit which can be purchased via UCSC TAPS.\n– ParkMobile can be found at Lot 107 and 109.\n– Additional parking can be found in Lot 111 or Lot 111B or East Remote Lot 104.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law. \n 
URL:https://live-events-ucsc.pantheonsite.io/event/flow-and-friction-media-practices-across-global-asias/
LOCATION:Cowell Conference Room\, 257 Cowell-Stevenson Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T120000
DTEND;TZID=America/Los_Angeles:20260514T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T120000
DTEND;TZID=America/Los_Angeles:20260514T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260513T190000
DTEND;TZID=America/Los_Angeles:20260513T210000
DTSTAMP:20260323T214348Z
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
UID:10011359-1778698800-1778706000@live-events-ucsc.pantheonsite.io
SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/drop-in-draw-spr-2026/2026-05-13/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260513T120000
DTEND;TZID=America/Los_Angeles:20260513T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011870-1778673600-1778691600@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260513T120000
DTEND;TZID=America/Los_Angeles:20260513T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260513T093000
DTEND;TZID=America/Los_Angeles:20260513T170000
DTSTAMP:20260430T205152Z
CREATED:20260402T205738Z
LAST-MODIFIED:20260430T205152Z
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SUMMARY:Carceral Media Ecologies—and How to Break Them
DESCRIPTION:Organized by Pooja Rangan\, Visiting Scholar\, Visualizing Abolition\, UCSCm Carceral Media Ecologies—and How to Break Them is the culminating in-person event in a series of conversations examining how contemporary documentary forms participate in both the making and unmaking of carceral power. This symposium brings together organizers\, filmmakers\, scholars and artists—both with and without experiences of mass incarceration—for a daylong conversation on disrupting the carceral state and its media ecologies across multiple scales of intervention: from feminist organizing and prisoner-initiated programs to incarcerated media production\, participatory defense\, counterforensic art\, and legal advocacy. \nRSVP \nSymposium Program\n9:30 am onward – Coffee + Pastries \n10:00–10:15 – Welcome (Rachel Nelson + Pooja Rangan) \n10:15–11:15 – Conversation: Adamu Chan + Gilda Sheppard\, moderated by Gina Dent \nA conversation on the challenges of pursuing anti-carceral aesthetics and the political stakes of speaking outside the carceral frame. \n11:15–11:30 – Break \n11:30–1:00 – Panel: Counterforensic Advocacy (Ashraf Hamdan\, Silicon Valley Debug\, Sharon Daniel)\, moderated by Pooja Rangan\nA panel on decarceral legal and policy interventions\, including participatory defense\, advocacy media\, and counterforensic art  \n1:00–2:00 – Lunch \n2:00–3:30 – Panel: Fugitive Media (Keisha Knight\, Thanh Tran\, Anthony Tafoya)\, moderated by Rachel Nelson\nA panel on media produced behind bars and the activism involved in building oppositional circuits of visibility and solidarity \n3:45–4:00 – Break \n4:00–4:30 – Concluding Reflections – Gina Dent \n4:30–5:30 – Reception
URL:https://live-events-ucsc.pantheonsite.io/event/carceral-media-ecologies-and-how-to-break-them/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260510T120000
DTEND;TZID=America/Los_Angeles:20260510T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260510T120000
DTEND;TZID=America/Los_Angeles:20260510T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011959-1778414400-1778432400@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260509T193000
DTEND;TZID=America/Los_Angeles:20260509T213000
DTSTAMP:20260403T162020Z
CREATED:20260401T204003Z
LAST-MODIFIED:20260403T162020Z
UID:10011841-1778355000-1778362200@live-events-ucsc.pantheonsite.io
SUMMARY:ABC Ensemble and This Never Happened—April in Santa Cruz
DESCRIPTION:Pianists/experimentalists Amy Beal and Ben Carson\, and friends in the This Never Happened Ensemble\, present a concert of toys\, noise\, open-questions\, and a love of play\, including one piece involving no fewer than five concert grand pianos. Featuring the music of Shanna Sordahl\, Marc Perez\, Mexican composer Rodrigo Barriga Lopez\, and legendary experimentalists Johanna Beyer and David Mahler. \nThis event is presented as part of the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to the public\n– Attend in-person at the Music Center Recital Hall at UC Santa Cruz\n– Open admission (no ticket or registration required)\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nABC ENSEMBLE\nTHIS NEVER HAPPENED\n\nimage: photo of R. Barriga\, bass \n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/aisc-abc-05-09-26/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260509T120000
DTEND;TZID=America/Los_Angeles:20260509T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011868-1778328000-1778346000@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-09/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/017–CLS_Pre-ExistingCondition_2019_02-e1774380409661-1024x606.jpg.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260509T120000
DTEND;TZID=America/Los_Angeles:20260509T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011958-1778328000-1778346000@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-09/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T193000
DTEND;TZID=America/Los_Angeles:20260508T213000
DTSTAMP:20260508T233636Z
CREATED:20260325T232827Z
LAST-MODIFIED:20260508T233636Z
UID:10011395-1778268600-1778275800@live-events-ucsc.pantheonsite.io
SUMMARY:[Cancelled] UCSC Wind Ensemble
DESCRIPTION:event update:  this event is cancelled (per notice on May 8 at 4:30 p.m.) \n— \nThe UCSC Wind Ensemble\, directed by Nathaniel Berman\, brings fantasy and imagination in a spring quarter concert\, featuring music from the film Spirited Away\, composed by Joe Hisaishi; The Dream of Angus\, by Rolf Rudin; music depicting train journeys\, by Alexis Shapiro and Steve Danyew; Sound and Smoke\, by Viet Cuong; and Steampunk Suite by Erika Svanoe.\n—\nADMISSION\n–  this event has been cancelled
URL:https://live-events-ucsc.pantheonsite.io/event/ucsc-wind-ensemble-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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GEO:36.9924036;-122.0619475
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Music Center Recital Hall 400 McHenry Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=400 McHenry Road:geo:-122.0619475,36.9924036
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T193000
DTEND;TZID=America/Los_Angeles:20260508T210000
DTSTAMP:20260506T163842Z
CREATED:20260428T152005Z
LAST-MODIFIED:20260506T163842Z
UID:10013997-1778268600-1778274000@live-events-ucsc.pantheonsite.io
SUMMARY:Guitar Virtuoso Hao Yang in Concert—An Evening of Classical Guitar Music from Around the World
DESCRIPTION:Join acclaimed classical guitarist Hao Yang as she brings her extraordinary talent to the stage\, fresh off winning the prestigious 2024 Koblenz International Guitar Competition\, “Hubert Käppel\,” and placing second at the 2024 GFA International Concert Artist Competition. A recipient of the Clifton Foundation’s Emerging Artists Award\, she has captivated audiences at Carnegie Hall\, the Kimmel Center\, Miller Theatre\, and the National Centre for the Performing Arts\, and has appeared as soloist with the Chursächsische Philharmonie in Germany. A passionate chamber musician\, Hao made her Carnegie Hall debut premiering “Talking Guitars” by composer Paul Lansky\, and regularly collaborates across diverse ensemble settings—from guitar quintets to voice and guitar—bringing fresh perspectives to both traditional and contemporary repertoire.\n—\nADMISSION\n– This event is open to UCSC affiliates only.\n– Attend in person at the Music Center Studio 131 at UC Santa Cruz.\n– Open seating (no ticket required).\n– Venue has limited seating and early arrival is encouraged.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nPARKING\n– Parking via permit\, ParkMobile\, or $11 cash/credit via the on-site event attendant.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UCSC affiliates consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/hao-yang/
LOCATION:Music Center\, Meyer Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Hao-Yang-Guitar.jpg
GEO:36.993358;-122.0622057
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Music Center Meyer Drive Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=Meyer Drive:geo:-122.0622057,36.993358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T160000
DTEND;TZID=America/Los_Angeles:20260508T180000
DTSTAMP:20260505T005754Z
CREATED:20260401T202717Z
LAST-MODIFIED:20260505T005754Z
UID:10011839-1778256000-1778263200@live-events-ucsc.pantheonsite.io
SUMMARY:Music on the Meadow—April in Santa Cruz
DESCRIPTION:Music On The Meadow (MOTM) presents “Episode 0: Music with the Meadow.” MOTM showcases engagement from students\, artists\, scientists\, scholars\, and culture bearers\, who engage in “listening with the meadow” through genre-defying works. MOTM is a site for low-key (but not low-quality or low-impact) celebration\, gathering\, mourning\, remembering\, rethinking\, unlearning. \nMore program and accessibilty information on the MOTM website here. \nThis event is presented as part of the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to the public\n– Attend in-person at Kretschmer Plaza\, the outdoor courtyard adjacent to the Music Center Recital Hall at UC Santa Cruz\n– Open admission (no ticket or registration required)\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event\n– Parking by permit or ParkMobile\n– For this event\, there will be a ParkMobile flex code posted on signage in Lot 126 allowing attendees to purchase hourly parking and use any non-reserved space in the lot.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nMUSIC ON THE MEADOW\nAN ECOSYSTEM BEYOND A FESTIVAL \nimage: Great Meadow—UCSC (view\, landscape\, scenic\, field\, meadow\, sky\, clouds\, ocean\, bay\, trees\, blue\, green) \n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/aisc-motm-05-08-26/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/April-In-SC-2026_hero_image-scaled.jpg
GEO:36.9924036;-122.0619475
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Music Center Recital Hall 400 McHenry Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=400 McHenry Road:geo:-122.0619475,36.9924036
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T120000
DTEND;TZID=America/Los_Angeles:20260508T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011957-1778241600-1778259600@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T180000
DTEND;TZID=America/Los_Angeles:20260507T193000
DTSTAMP:20260403T222745Z
CREATED:20260402T204209Z
LAST-MODIFIED:20260403T222745Z
UID:10011931-1778176800-1778182200@live-events-ucsc.pantheonsite.io
SUMMARY:Rasanblaj as Spirit Turn: Gina Athena Ulysse in Conversation with Jennifer González
DESCRIPTION:Please join us for a conversation between Gina Athena Ulysse and Jennifer González\, discussing Ulysse’s solo exhibition Redwoods Rasanblaj: Origins & Disentanglements. \nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view at the IAS as an inaugural Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the concept developed by the artist of “rasanblaj”\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas. \nThe artist will be joined in conversation by noted art theorist and scholar Jennifer González\, professor of history of art and visual culture.
URL:https://live-events-ucsc.pantheonsite.io/event/rasanblaj-as-spirit-turn-gina-athena-ulysse-in-conversation-with-jennifer-gonzalez/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations
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GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T120000
DTEND;TZID=America/Los_Angeles:20260507T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011867-1778155200-1778173200@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/017–CLS_Pre-ExistingCondition_2019_02-e1774380409661-1024x606.jpg.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T120000
DTEND;TZID=America/Los_Angeles:20260507T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011956-1778155200-1778173200@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260506T190000
DTEND;TZID=America/Los_Angeles:20260506T210000
DTSTAMP:20260323T214348Z
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
UID:10011358-1778094000-1778101200@live-events-ucsc.pantheonsite.io
SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/drop-in-draw-spr-2026/2026-05-06/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260506T160000
DTEND;TZID=America/Los_Angeles:20260506T173000
DTSTAMP:20260428T160741Z
CREATED:20260422T191423Z
LAST-MODIFIED:20260428T160741Z
UID:10013975-1778083200-1778088600@live-events-ucsc.pantheonsite.io
SUMMARY:VMCC Talk with Jaleh Mansoor—Political Agency in The Anthropocene
DESCRIPTION:In this presentation\, Jaleh Mansoor will draw upon recent Italian Marxist Feminist perspectives on ecology and discourses on the Anthropocene to question how Italian feminist analyses of invisible labor came to be elided with the question of a wider\, post anthropocentric ecological horizon. Jaleh Mansoor is a writer and an associate professor of Art History at the University of British Columbia\, Vancouver\, where she teaches modern and contemporary art history with an emphasis on Post WWII European Art. Her areas of interest\, in addition to art and its histories\, include Materialist Formalism and Marxist Feminism. Mansoor’s first monographic book\, Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia\, was published by Duke UP in 2016.  \nHer latest primary project\, titled after Picabia’s eponymous homage to a passage in Marx’s Philosophical and Economic Manuscripts of 1844\, is Universal Prostitution: A Counter History of Modernism\, published by Duke University Press in May 2025. It traces the historical and structural entwinement of aesthetic and real (or concrete) abstraction—defined as the extraction of labor power valorized by transactional exchange on the market—over 20th-century art to offer a comprehensive account of the political-economic forces that motivated modernist abstraction and the advent of post-humanism.\n \nABOUT THE SERIES\nThe Visual & Media Cultures Colloquium (VMCC) is an annual lecture series that brings cutting-edge scholars to speak on a broad range of subjects related to visual and media culture. The series is co-sponsored with the graduate programs in the History of Art & Visual Culture (HAVC) and the Arts Division.\n—\nADMISSION\n– Attend online.\n– Register here to receive the Zoom link.\n– FREE and open to the public.\n—\nThis program is open to the public  consistent with state and federal law. \n 
URL:https://live-events-ucsc.pantheonsite.io/event/jaleh-mansoor-political-agency-in-the-anthropocene/
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LOCATION:https://ucsc.zoom.us/meeting/register/xdWXvSNUQPqkVlP11dhItg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260506T120000
DTEND;TZID=America/Los_Angeles:20260506T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011866-1778068800-1778086800@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-06/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260506T120000
DTEND;TZID=America/Los_Angeles:20260506T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-06/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260505T193000
DTEND;TZID=America/Los_Angeles:20260505T213000
DTSTAMP:20260409T011808Z
CREATED:20260325T215347Z
LAST-MODIFIED:20260409T011808Z
UID:10011394-1778009400-1778016600@live-events-ucsc.pantheonsite.io
SUMMARY:UCSC Orchestra
DESCRIPTION:Join the UC Santa Cruz Orchestra\, conducted by Bruce Kiesling\, for a Spring concert.\n—\nADMISSION\n– General admission\n– Free for UCSC students (ticket required).\n– Tickets will be available here online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://live-events-ucsc.pantheonsite.io/event/ucsc-orchestra-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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GEO:36.9924036;-122.0619475
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Music Center Recital Hall 400 McHenry Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=400 McHenry Road:geo:-122.0619475,36.9924036
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260505T183000
DTEND;TZID=America/Los_Angeles:20260505T193000
DTSTAMP:20260410T181352Z
CREATED:20260407T195239Z
LAST-MODIFIED:20260410T181352Z
UID:10012066-1778005800-1778009400@live-events-ucsc.pantheonsite.io
SUMMARY:The 60th Faculty Research Lecture\, featuring Professor Patty Gallagher\, department of Performance\, Play & Design
DESCRIPTION:Character: A Nongenue’s Guide to a Beautiful Life in the Theatre \nThis talk explores the predicament and privilege of the character actor. What acts of creativity and compassion are necessary to embody the oddball\, the creature\, the clown? \nPatty Gallagher‘s research and performance practice focuses on the concept of the Stranger in a Strange Land. Using examples from Beckett\, Shakespeare\, Homer\, and Balinese performance\, she will discuss how to imbue outsider characters with heart and dignity. Ultimately the transformative work of the “non-genue” actor is a space of beauty and wonder. \nTuesday\, May 5\, 2026 \nUCSC Theater Arts Center Mainstage\, 411 Kerr Rd\, Santa Cruz\, CA 95064 \n6:30 PM – 7:30 PM\, Cake reception to follow \nAbout this event: \n\nThis event is free and open to the public. Seating will begin at 6:00 p.m\nThe lecture will be held in person and also available to view via livestream.\nRegistration link\n\nParking: \n\nParking permits will be available for purchase for $11 cash/credit in the Performing Arts lot 126.\nPark Mobile options are available in this same lot. Please follow the event signage at the base of campus and a parking attendant will assist you.\nUCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits. More information provided by UCSC Transportation & Parking Services (TAPS)
URL:https://live-events-ucsc.pantheonsite.io/event/the-60th-faculty-research-lecture-featuring-professor-patty-gallagher-department-of-performance-play-design/
LOCATION:Theater Arts Mainstage\, 411 Kerr Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260503T120000
DTEND;TZID=America/Los_Angeles:20260503T170000
DTSTAMP:20260403T222113Z
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011865-1777809600-1777827600@live-events-ucsc.pantheonsite.io
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://live-events-ucsc.pantheonsite.io/event/visualizing-abolition-screening-series-beyond-access/2026-05-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260503T120000
DTEND;TZID=America/Los_Angeles:20260503T170000
DTSTAMP:20260430T205000Z
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011954-1777809600-1777827600@live-events-ucsc.pantheonsite.io
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://live-events-ucsc.pantheonsite.io/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://live-events-ucsc.pantheonsite.io/wp-content/uploads/2026/04/Celebration-of-Spring-Exhibitions_041526_047-scaled.jpg
GEO:36.9557939;-122.0505546
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260502T140000
DTEND;TZID=America/Los_Angeles:20260502T153000
DTSTAMP:20260413T220521Z
CREATED:20260413T214657Z
LAST-MODIFIED:20260413T220521Z
UID:10012113-1777730400-1777735800@live-events-ucsc.pantheonsite.io
SUMMARY:Sister Warriors in Conversation: Expanding Communities of Care in CA Women's Prisons
DESCRIPTION:This panel discussion with Niki Martinez\, Elizabeth Lozano\, and Susan Bustamente of Sister Warriors Freedom Coalition will be moderated by Dr. Julissa O. Muñiz\, UCLA.  Organized for Visualizing Abolition\, the event will talk about the movement women and gender expansive folks who have been incarcerated are building to support each other\, shift power\, and lead systems and policy change.
URL:https://live-events-ucsc.pantheonsite.io/event/sister-warriors-in-conversation-expanding-communities-of-care-in-ca-womens-prisons/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Lectures & Presentations
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END:VEVENT
END:VCALENDAR